Performing Arts (PAR)

Research output

Research output per year 1996 2005 2012 2014 2016 2020 2021 2022 2024

• 19 Article
• 16 Chapter
• 8 Book
• 2 Book/Film/Article review
• 4 More
  • 1 Anthology
  • 1 Commissioned report
  • 1 Editorial
  • 1 Featured article

Research output per year

Research output per year

Search results

• 2024

  Egungun - Moving the Masks of our Ancestors

  Taiwo, O., 8 Jan 2024, Religion, Death and the Senses. Welch, C. & Hazel Shadrack, J. (eds.). Equinox Publishing Ltd

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2023

  Chapter 16. Improvisation: Inclusivity and Race

  Taiwo, O. & Benjamin, A., 1 Nov 2023, (Accepted/In press) Ethical Agility in Dance Rethinking Technique in British Contemporary Dance. Colin, N., Seago, C. & Stamp, K. (eds.). 1 ed. Vol. 1. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2022

  Embodying Ubuntu: Staying Alive Is a Co-Creative Performance

  Taiwo, O., 9 Jun 2022, Metadesigning Designing in the Anthropocene. Wood, J. (ed.). 1st ed. New York, 9 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Embodying Ubuntu, through the Physical Journal as an antidote to the effects of the Anthropocene.

  Taiwo, O., 14 Feb 2022, In: Body, Space and Technology. Volume 21, Issue: Volume 21 , Issue: Volume 21 • 2022 • Volume 21.

  Research output: Contribution to journal › Article › peer-review

  Open Access

• From Stage Door to Cyberspace: The Digital Evolution of Musical Theatre Fandom

  Rush, A. & Lim, S., Dec 2022, The Routledge Companion to Musical Theatre. Donovan, R. & Macdonald, L. (eds.). Milton Park, 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Musical Theatre Histories: Expanding the Narrative

  Rush, A. & Taylor, M., Nov 2022, London. 280 p.

  Research output: Book/Report › Book

• Will metaversive technologies help writers to reclaim tacit knowledge?

  Taiwo, O., 1 Jan 2022, In: Journal of Writing in Creative Practice. 15, 1, p. 73-80 8 p., 15.

  Research output: Contribution to journal › Article › peer-review
• 2021

  #YouWillBeFound: Participatory Fandom, Social Media Marketing, and Dear Evan Hansen

  Rush, A., 1 Jul 2021, In: Studies in Musical Theatre. 15, 2

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  107 Downloads (Pure)

• Hamilton - An American Musical: The Very Model of a Modern Major (British) Megamusical

  Rush, A., 28 May 2021, Dueling Grounds : Revolution and Revelation in the Musical Hamilton. Lodge, M. J. & Laird, P. R. (eds.). New York: Oxford University Press, p. 215-229 14 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The Return Beat - Interfacing with Our Interface: A Spiritual Approach to the Golden Triangle

  Taiwo, O., 4 May 2021, 1 ed. Oxford, Bern, Berlin, Bruxelles, New York, Wien. 274 p.

  Research output: Book/Report › Book › peer-review
• 2020

  As Andrew Lloyd Webber launches a YouTube channel, here's how he revived the musical

  Lockitt, M., 14 Apr 2020, The Conversation.

  Research output: Contribution to specialist publication › Featured article

• Miss Littlewood and Me: Performing Ethnography

  Taylor, M., 17 Jun 2020, In: Studies in Musical Theatre. 14, 1, p. 65-76 12 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  48 Downloads (Pure)

• Subjugating Other Cultural Narratives in the Construction of Immersive Environments

  Taiwo, O., 1 Feb 2020, In: Body, Space and Technology. p. 19(1):193-202

  Research output: Contribution to journal › Article › peer-review

  Open Access
• 2019

  Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage

  Lockitt, M., 4 Sep 2019, The Routledge Companion to the Contemporary Musical. Sternfeld, J. & Wollman, E. L. (eds.). First ed. New York, p. 120-129 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2018

  Theatre Music and Sound at the RSC: Macbeth to Matilda

  Taylor, M., 2018, London. 242 p.

  Research output: Book/Report › Book › peer-review

• The "Phan"-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness

  Rush, A., 1 Aug 2018, Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Jones, K., Poore, B. & Dean, R. (eds.). London, p. 139-158 20 p. (Palgrave Gothic).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2016

  British Musical Theatre Since 1950

  Robert Gordon, Olaf Jubin & Taylor, M., 2016, London. 274 p.

  Research output: Book/Report › Book › peer-review

• It’s Just a Jump to the Past!: Subverting Intertextual Otherness in The Rocky Horror Show

  Rush, A., 2016, Music on Stage: Volume II. Campos, L. & Schopf, F. J. (eds.). Newcastle, p. 120-135

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Lecoq and Complicite

  Cuming, R., 2016, The Routledge Companion to Jacques Lecoq. Evans, M. & Kemp, R. (eds.). 1st ed. London and New York, p. 323-329 7 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Lionel Bart: British Vernacular Musical Theatre

  Taylor, M., 2016, The Oxford Handbook of the British Musical. Gordon, R. & Jubin, O. (eds.). New York and Oxford: Oxford University Press, p. 483-506 23 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2014

  Gestures of Music Theater: The Performativity of Song and Dance

  Dominic Symonds & Taylor, M., 2014, New York: Oxford University Press. 320 p.

  Research output: Book/Report › Anthology › peer-review

• 'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba

  Lockitt, M., 2014, Gestures of Music Theatre : The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York , p. 91-108 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Studying Musical Theatre

  Dominic Symonds & Taylor, M., 2014, Basingstoke. 273 p.

  Research output: Book/Report › Book › peer-review

• Sweeney Todd Robert Gordon (ed.), From Melodrama to Musical Tragedy

  Taylor, M., 2014, The Oxford Handbook of Sondheim Studies . Gordon, R. (ed.). New York and Oxford: Oxford University Press, p. 335-349 14 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2013

  From Screen to Stage: Dirty Dancing Live

  Taylor, M., 2013, The Time of Our Lives : Dirty Dancing and Popular Culture. Tzioumakis, Y. & Lincoln, S. (eds.). Detroit: Wayne State University Press, p. 281-296 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975)

  Taylor, M., 2013, Gestures of Music Theater: The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York and Oxford: Oxford University Press, p. 276-92 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2012

  If I Sing: Voice, singing and song

  Taylor, M., 2012, In: Studies in Musical Theatre. 6, 1, p. 3-7 5 p.

  Research output: Contribution to journal › Editorial › peer-review

• Musical Theatre, Realism and Entertainment

  Taylor, M., 2012, London. 194 p.

  Research output: Book/Report › Book › peer-review

• 'Proposition': To reconsider the non-singing character and the songless moment

  Lockitt, M., 2012, In: Studies in Musical Theatre. 6, 2, p. 187-198 11 p.

  Research output: Contribution to journal › Article › peer-review

• Putting on Panto to pay for the Pinter by Chris Abbott (Hobnob Press), 2012

  Taylor, M., 2012, In: Theatre Notebook. 68, 2, p. 122-3 2 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review
• 2010

  Continuity and Transformation in Twentieth Century Pantomime

  Taylor, M., 2010, Victorian Pantomime: A Collection of Critical Essays. Davis, J. (ed.). London, p. 185-200 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Experiencing Live Musical Theatre Performance: La Cage Aux Folles and Priscilla, Queen of the Desert

  Taylor, M., 2010, In: Popular Entertainment Studies. 1, 1, p. 44-58 15 p.

  Research output: Contribution to journal › Article › peer-review
• 2009

  Drawing attention to the significant: Exploring the functions of music in The Overcoat (1998)

  Taylor, M., 2009, In: Studies in Musical Theatre. 2, 3, p. 261-281 20 p.

  Research output: Contribution to journal › Article › peer-review

• Integration and distance in musical theatre: The case of Sweeney Todd

  Taylor, M., 2009, In: Contemporary Theatre Review. 19, 1, p. 47-60 14 p.

  Research output: Contribution to journal › Article › peer-review
• 2008

  Singing For Musicals: A Practical Guide

  Taylor, M., 2008, Marlborough. 144 p.

  Research output: Book/Report › Book
• 2007

  British Pantomime Performance

  Taylor, M., 2007, Bristol and Chicago: Intellect Books. 208 p.

  Research output: Book/Report › Book › peer-review

• “Don’t Dream It, Be It”: Exploring signification, empathy and mimesis in relation to The Rocky Horror Show’

  Taylor, M., 2007, In: Studies in Musical Theatre. 1, 1, p. 57-71 14 p.

  Research output: Contribution to journal › Article › peer-review
• 2006

  Exploring the Grain: The sound of the voice in Bruce Nauman’s Raw Materials

  Taylor, M., 2006, In: Studies in Theatre and Performance. 26, 3, p. 289-296 7 p.

  Research output: Contribution to journal › Article › peer-review
• 2005

  Distance and Reflexivity: Creating the stage world of Pantoland

  Taylor, M., 2005, In: New Theatre Quarterly. 21, 4, p. 331-339 9 p.

  Research output: Contribution to journal › Article › peer-review

• Layers of Representation: Instability in the characterization of Jenny in Aufstieg und Fall der Stadt Mahagonny by Brecht and Weill

  Taylor, M., 2005, Bertolt Brecht: Performance and Philosophy. Kayner, G. & Ben Zvi, L. (eds.). Tel Aviv, p. 159-176 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Schrödinger’s Research: When does practice as research occur?

  Taylor, M., 2005, In: South African Theatre Journal. 19, p. 183-190 7 p.

  Research output: Contribution to journal › Article › peer-review
• 2004

  Oh No it isn’t: Audience Participation and Community Identity

  Taylor, M., 2004, In: TRANS Internet-Zeitschrift fuer Kulturwissenschaften . 15

  Research output: Contribution to journal › Article › peer-review

• What the eye sees, what the ear hears: A review of Laurie Anderson by RoseLee Goldberg

  Taylor, M., 2004, In: Contemporary Theatre Review. 14, 1

  Research output: Contribution to journal › Book/Film/Article review
• 2003

  Collaboration or conflict: Music and Lyrics by Brecht, Weill and Eisler

  Taylor, M., 2003, In: Studies in Theatre and Performance. 23, 2, p. 117-124. 8 p.

  Research output: Contribution to journal › Article › peer-review
• 2001

  “Evil” as a Musical Theatrical Convention

  Taylor, M., 2001, In: European Journal for Semiotic Studies. 13, 3-4, p. 673-686 14 p.

  Research output: Contribution to journal › Article › peer-review
• 1999

  Conventions in Contemporary Pantomime Music

  Taylor, M., 1999, In: Studies in Theatre Production. 19, p. 139–158 20 p.

  Research output: Contribution to journal › Article › peer-review
• 1998

  The Value of Performers’ Rights: An Economic Approach

  Taylor, M. & Towse, R., 1998, In: Media, Culture and Society. 20 , 4, p. 631–652 22 p.

  Research output: Contribution to journal › Article › peer-review
• 1997

  Intellectual Property Rights in Cultural Industries: How they work and what they pay

  Taylor, M., 1997

  Research output: Book/Report › Commissioned report
• 1996

  Rights in Sight

  Taylor, M., Sep 1996, Artists Newsletter, p. 19-20 2 p.

  Research output: Contribution to specialist publication › Article