Research Output

2020

Miss Littlewood and me: Performing Ethnography

Taylor, M., 17 Jun 2020, In : Studies in Musical Theatre. 14, 1, p. 65-76 12 p.

Research output: Contribution to journalArticle

2019

Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage

Lockitt, M., 4 Sep 2019, The Routledge Companion to the Contemporary Musical. Sternfeld, J. & Wollman, E. L. (eds.). First ed. New York, p. 120-129 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2018

Theatre Music and Sound at the RSC: Macbeth to Matilda

Taylor, M., 2018, London. 242 p.

Research output: Book/ReportBook

The "Phan"-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness

Rush, A., 1 Aug 2018, Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Jones, K., Poore, B. & Dean, R. (eds.). London, p. 139-158 20 p. (Palgrave Gothic).

Research output: Chapter in Book/Report/Conference proceedingChapter

2016

British Musical Theatre Since 1950

Goldsmiths University of London & Taylor, M., 2016, London. 274 p.

Research output: Book/ReportBook

It’s Just a Jump to the Past!: Subverting Intertextual Otherness in The Rocky Horror Show

Rush, A., 2016, Music on Stage: Volume II. Campos, L. & Schopf, F. J. (eds.). Newcastle, p. 120-135

Research output: Chapter in Book/Report/Conference proceedingChapter

Lecoq and Complicite

Cuming, R., 2016, The Routledge Companion to Jacques Lecoq. Evans, M. & Kemp, R. (eds.). 1st ed. London and New York, p. 323-329 7 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Lionel Bart: British Vernacular Musical Theatre

Taylor, M., 2016, The Oxford Handbook of the British Musical. Gordon, R. & Jubin, O. (eds.). New York and Oxford: Oxford University Press, p. 483-506 23 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2014

Gestures of Music Theater: The Performativity of Song and Dance

University of Lincoln & Taylor, M., 2014, New York: Oxford University Press. 320 p.

Research output: Book/ReportAnthology

'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba

Lockitt, M., 2014, Gestures of Music Theatre : The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York , p. 91-108 17 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Studying Musical Theatre

University of Lincoln & Taylor, M., 2014, Basingstoke. 273 p.

Research output: Book/ReportBook

Sweeney Todd Robert Gordon (ed.), From Melodrama to Musical Tragedy

Taylor, M., 2014, The Oxford Handbook of Sondheim Studies . Gordon, R. (ed.). New York and Oxford: Oxford University Press, p. 335-349 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2013

From Screen to Stage: Dirty Dancing Live

Taylor, M., 2013, The Time of Our Lives : Dirty Dancing and Popular Culture. Tzioumakis, Y. & Lincoln, S. (eds.). Detroit: Wayne State University Press, p. 281-296 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975)

Taylor, M., 2013, Gestures of Music Theater: The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York and Oxford: Oxford University Press, p. 276-92 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2012

Musical Theatre, Realism and Entertainment

Taylor, M., 2012, London. 194 p.

Research output: Book/ReportBook

2010

Continuity and Transformation in Twentieth Century Pantomime

Taylor, M., 2010, Victorian Pantomime: A Collection of Critical Essays. Davis, J. (ed.). London, p. 185-200 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2009

Drawing attention to the significant: Exploring the functions of music in The Overcoat (1998)

Taylor, M., 2009, In : Studies in Musical Theatre. 2, 3, p. 261-281 20 p.

Research output: Contribution to journalArticle

Integration and distance in musical theatre: The case of Sweeney Todd

Taylor, M., 2009, In : Contemporary Theatre Review. 19, 1, p. 47-60 14 p.

Research output: Contribution to journalArticle

2008

Singing For Musicals: A Practical Guide

Taylor, M., 2008, Marlborough. 144 p.

Research output: Book/ReportBook

2007

British Pantomime Performance

Taylor, M., 2007, Bristol and Chicago: Intellect Books. 208 p.

Research output: Book/ReportBook

“Don’t Dream It, Be It”: Exploring signification, empathy and mimesis in relation to The Rocky Horror Show’

Taylor, M., 2007, In : Studies in Musical Theatre. 1, 1, p. 57-71 14 p.

Research output: Contribution to journalArticle

2006

Exploring the Grain: The sound of the voice in Bruce Nauman’s Raw Materials

Taylor, M., 2006, In : Studies in Theatre and Performance. 26, 3, p. 289-296 7 p.

Research output: Contribution to journalArticle

2005

Distance and Reflexivity: Creating the stage world of Pantoland

Taylor, M., 2005, In : New Theatre Quarterly. 21, 4, p. 331-339 9 p.

Research output: Contribution to journalArticle

Layers of Representation: Instability in the characterization of Jenny in Aufstieg und Fall der Stadt Mahagonny by Brecht and Weill

Taylor, M., 2005, Bertolt Brecht: Performance and Philosophy. Kayner, G. & Ben Zvi, L. (eds.). Tel Aviv, p. 159-176 17 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Schrödinger’s Research: When does practice as research occur?

Taylor, M., 2005, In : South African Theatre Journal. 19, p. 183-190 7 p.

Research output: Contribution to journalArticle

2004

Oh No it isn’t: Audience Participation and Community Identity

Taylor, M., 2004, In : TRANS Internet-Zeitschrift fuer Kulturwissenschaften . 15

Research output: Contribution to journalArticle

What the eye sees, what the ear hears: A review of Laurie Anderson by RoseLee Goldberg

Taylor, M., 2004, In : Contemporary Theatre Review. 14, 1

Research output: Contribution to journalBook/Film/Article review

2003

Collaboration or conflict: Music and Lyrics by Brecht, Weill and Eisler

Taylor, M., 2003, In : Studies in Theatre and Performance. 23, 2, p. 117-124. 8 p.

Research output: Contribution to journalArticle

2001

“Evil” as a Musical Theatrical Convention

Taylor, M., 2001, In : European Journal for Semiotic Studies. 13, 3-4, p. 673-686 14 p.

Research output: Contribution to journalArticle

1999

Conventions in Contemporary Pantomime Music

Taylor, M., 1999, In : Studies in Theatre Production. 19, p. 139–158 20 p.

Research output: Contribution to journalArticle

1998

The Value of Performers’ Rights: An Economic Approach

Taylor, M. & Towse, R., 1998, In : Media, Culture and Society. 20 , 4, p. 631–652 22 p.

Research output: Contribution to journalArticle

1997
1996

Rights in Sight

Taylor, M., Sep 1996, Artists Newsletter, p. 19-20 2 p.

Research output: Contribution to specialist publicationArticle