Research output per year
Research output per year
- 16 results
Search results
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2024
Egungun - Moving the Masks of our Ancestors
Taiwo, O., 8 Jan 2024, Religion, Death and the Senses. Welch, C. & Hazel Shadrack, J. (eds.). Equinox Publishing LtdResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2023
Chapter 16. Improvisation: Inclusivity and Race
Taiwo, O. & Benjamin, A., 1 Nov 2023, (Accepted/In press) Ethical Agility in Dance Rethinking Technique in British Contemporary Dance. Colin, N., Seago, C. & Stamp, K. (eds.). 1 ed. Vol. 1. (Routledge Advances in Theatre & Performance Studies).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2022
Embodying Ubuntu: Staying Alive Is a Co-Creative Performance
Taiwo, O., 9 Jun 2022, Metadesigning Designing in the Anthropocene. Wood, J. (ed.). 1st ed. New York, 9 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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From Stage Door to Cyberspace: The Digital Evolution of Musical Theatre Fandom
Rush, A. & Lim, S., Dec 2022, The Routledge Companion to Musical Theatre. Donovan, R. & Macdonald, L. (eds.). Milton Park, 15 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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2021
Hamilton - An American Musical: The Very Model of a Modern Major (British) Megamusical
Rush, A., 28 May 2021, Dueling Grounds : Revolution and Revelation in the Musical Hamilton. Lodge, M. J. & Laird, P. R. (eds.). New York: Oxford University Press, p. 215-229 14 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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2019
Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage
Lockitt, M., 4 Sep 2019, The Routledge Companion to the Contemporary Musical. Sternfeld, J. & Wollman, E. L. (eds.). First ed. New York, p. 120-129 10 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2018
The "Phan"-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness
Rush, A., 1 Aug 2018, Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Jones, K., Poore, B. & Dean, R. (eds.). London, p. 139-158 20 p. (Palgrave Gothic).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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2016
It’s Just a Jump to the Past!: Subverting Intertextual Otherness in The Rocky Horror Show
Rush, A., 2016, Music on Stage: Volume II. Campos, L. & Schopf, F. J. (eds.). Newcastle, p. 120-135Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Lecoq and Complicite
Cuming, R., 2016, The Routledge Companion to Jacques Lecoq. Evans, M. & Kemp, R. (eds.). 1st ed. London and New York, p. 323-329 7 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Lionel Bart: British Vernacular Musical Theatre
Taylor, M., 2016, The Oxford Handbook of the British Musical. Gordon, R. & Jubin, O. (eds.). New York and Oxford: Oxford University Press, p. 483-506 23 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2014
'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba
Lockitt, M., 2014, Gestures of Music Theatre : The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York , p. 91-108 17 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Sweeney Todd Robert Gordon (ed.), From Melodrama to Musical Tragedy
Taylor, M., 2014, The Oxford Handbook of Sondheim Studies . Gordon, R. (ed.). New York and Oxford: Oxford University Press, p. 335-349 14 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2013
From Screen to Stage: Dirty Dancing Live
Taylor, M., 2013, The Time of Our Lives : Dirty Dancing and Popular Culture. Tzioumakis, Y. & Lincoln, S. (eds.). Detroit: Wayne State University Press, p. 281-296 15 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975)
Taylor, M., 2013, Gestures of Music Theater: The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York and Oxford: Oxford University Press, p. 276-92 16 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2010
Continuity and Transformation in Twentieth Century Pantomime
Taylor, M., 2010, Victorian Pantomime: A Collection of Critical Essays. Davis, J. (ed.). London, p. 185-200 15 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2005
Layers of Representation: Instability in the characterization of Jenny in Aufstieg und Fall der Stadt Mahagonny by Brecht and Weill
Taylor, M., 2005, Bertolt Brecht: Performance and Philosophy. Kayner, G. & Ben Zvi, L. (eds.). Tel Aviv, p. 159-176 17 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review