Research Output

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2019

Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage

Lockitt, M., 4 Sep 2019, The Routledge Companion to the Contemporary Musical. Sternfeld, J. & Wollman, E. L. (eds.). First ed. New York, p. 120-129 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2018

The "Phan"-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness

Rush, A., 1 Aug 2018, Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Jones, K., Poore, B. & Dean, R. (eds.). London, p. 139-158 20 p. (Palgrave Gothic).

Research output: Chapter in Book/Report/Conference proceedingChapter

2016

It’s Just a Jump to the Past!: Subverting Intertextual Otherness in The Rocky Horror Show

Rush, A., 2016, Music on Stage: Volume II. Campos, L. & Schopf, F. J. (eds.). Newcastle, p. 120-135

Research output: Chapter in Book/Report/Conference proceedingChapter

Lecoq and Complicite

Cuming, R., 2016, The Routledge Companion to Jacques Lecoq. Evans, M. & Kemp, R. (eds.). 1st ed. London and New York, p. 323-329 7 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Lionel Bart: British Vernacular Musical Theatre

Taylor, M., 2016, The Oxford Handbook of the British Musical. Gordon, R. & Jubin, O. (eds.). New York and Oxford: Oxford University Press, p. 483-506 23 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2014

'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba

Lockitt, M., 2014, Gestures of Music Theatre : The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York , p. 91-108 17 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Sweeney Todd Robert Gordon (ed.), From Melodrama to Musical Tragedy

Taylor, M., 2014, The Oxford Handbook of Sondheim Studies . Gordon, R. (ed.). New York and Oxford: Oxford University Press, p. 335-349 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2013

From Screen to Stage: Dirty Dancing Live

Taylor, M., 2013, The Time of Our Lives : Dirty Dancing and Popular Culture. Tzioumakis, Y. & Lincoln, S. (eds.). Detroit: Wayne State University Press, p. 281-296 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975)

Taylor, M., 2013, Gestures of Music Theater: The Performativity of Song and Dance . Symonds, D. & Taylor, M. (eds.). New York and Oxford: Oxford University Press, p. 276-92 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2010

Continuity and Transformation in Twentieth Century Pantomime

Taylor, M., 2010, Victorian Pantomime: A Collection of Critical Essays. Davis, J. (ed.). London, p. 185-200 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2005

Layers of Representation: Instability in the characterization of Jenny in Aufstieg und Fall der Stadt Mahagonny by Brecht and Weill

Taylor, M., 2005, Bertolt Brecht: Performance and Philosophy. Kayner, G. & Ben Zvi, L. (eds.). Tel Aviv, p. 159-176 17 p.

Research output: Chapter in Book/Report/Conference proceedingChapter