Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

In recent years, pop artists and other non-traditional musical theatre song writers have been crossing over to write for the musical theatre with increasing regularity. This chapter considers the various reasons artists who are successful in other areas of the music industry might transition to writing for the musical theatre stage. Artists may be invited by producers to contribute to a score, or they may be seeking new artistic endeavours. However, there are numerous challenges that pop artists face while working within a form that requires song to function dramaturgically in the service of character and plot. The chapter draws on reflections of the artists themselves to help build a comprehensive picture of their experiences writing within a collaborative narrative medium. Finally, the chapter considers how these writers remain authentic to their own style and voice, whilst working to create an authentic musical theatre experience.
Original languageEnglish
Title of host publicationThe Routledge Companion to the Contemporary Musical
EditorsJessica Sternfeld, Elizabeth L. Wollman
Place of PublicationNew York
Chapter12
Pages120-129
Number of pages10
EditionFirst
ISBN (Electronic)9781315543703
Publication statusPublished - 4 Sep 2019

Keywords

  • dramaturgy
  • musical theatre
  • Broadway musical
  • authenticity

Cite this

Lockitt, M. (2019). Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage. In J. Sternfeld, & E. L. Wollman (Eds.), The Routledge Companion to the Contemporary Musical (First ed., pp. 120-129).