'Love, Let Me Sing You':

The Liminality of Song and Dance in LaChiusa's Bernarda Alba

Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

Original languageEnglish
Title of host publicationGestures of Music Theatre
Subtitle of host publicationThe Performativity of Song and Dance
EditorsDominic Symonds, Millie Taylor
Place of PublicationNew York
Chapter6
Pages91-108
Number of pages17
Publication statusPublished - 2014

Cite this

Lockitt, M. (2014). 'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba. In D. Symonds, & M. Taylor (Eds.), Gestures of Music Theatre : The Performativity of Song and Dance (pp. 91-108). New York .
Lockitt, Matt. / 'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba. Gestures of Music Theatre : The Performativity of Song and Dance . editor / Dominic Symonds ; Millie Taylor. New York , 2014. pp. 91-108
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isbn = "978-0-19-999716-9",
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editor = "Symonds, {Dominic } and Millie Taylor",
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Lockitt, M 2014, 'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba. in D Symonds & M Taylor (eds), Gestures of Music Theatre : The Performativity of Song and Dance . New York , pp. 91-108.

'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba. / Lockitt, Matt.

Gestures of Music Theatre : The Performativity of Song and Dance . ed. / Dominic Symonds; Millie Taylor. New York , 2014. p. 91-108.

Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

TY - CHAP

T1 - 'Love, Let Me Sing You':

T2 - The Liminality of Song and Dance in LaChiusa's Bernarda Alba

AU - Lockitt, Matt

PY - 2014

Y1 - 2014

M3 - Chapter

SN - 978-0-19-999716-9

SP - 91

EP - 108

BT - Gestures of Music Theatre

A2 - Symonds, Dominic

A2 - Taylor, Millie

CY - New York

ER -

Lockitt M. 'Love, Let Me Sing You': The Liminality of Song and Dance in LaChiusa's Bernarda Alba. In Symonds D, Taylor M, editors, Gestures of Music Theatre : The Performativity of Song and Dance . New York . 2014. p. 91-108